Category Archives: Painting with poetry

Genesis of a Dryad

03302015-0001Beyond the Fence
Genesis of a Dryad

 

Prenatal voyage shelless,
wombless, without shelter.
The human that bore me
a passage way, a conduit
to world of woods and thickets.
Fragment of primal essence
set free for a time, a journey.

First memories of Grandmother:
fleshy, round and delicious;
I wanted her to know
fierceness of my love;
I bit her as hard as
new teeth would allow.
I wished to devour her
so intense my devotion.

I wandered among hills
and copses, a return home,
to the place my mother dwells;
rise and dip of terrain
outline her tender bosom;
pound of waves, heart’s rhythm;
vagrant breeze her breath
against my face.

Since childhood I have run,
from dwelling place of men,
into her welcoming arms
to sleep contented nights
upon her warm earth,
to wander fields and thickets
on winter’s clear, crisp days.
Her many moods reflect my own.

Always concerns, controversies:
their little girl, first born,
so aloof from convention.
A child who spends spans
in forest; returns dirty,
scratched, clutching latest
treasure for growing menagerie.

If I had been the original,
on first rumor of the tree
it would become my quest;
I would not require
temptation of a snake.

Lainie Senechal
 This poem was one( of two) featured entries for the week of March 16th on the website hourofwrites.com. 

The judge, Charlie Whinney wrote about the poem: “My first short-listed piece is the one I enjoyed reading the most. It is a high-quality poem that tackles the title in a brilliant, imaginative and unlikely way. ‘Genesis of a Dryad ‘ draws seamlessly on mythology, fantastical anecdote and biblical themes to build a complete narrative that is both descriptive of nature and also a life story with tenuous but tantalising analogies. I might be reading too much into this, but I liked the use of myth for this title as for young children ‘Mom’ or ‘Mummy’ is a concept bigger than the mere practical and physical; ‘Mother’ is the solid unmoveable reference around which the rest of life revolves, a force in nature like gravity. The mythical Dryad in this poem has many of these qualities, but also has its own life, rhythms and agenda described that children could never perceive, and the Dryad becomes more and more ‘human’ as the poem progresses.”

 

A Spring Poem

img-929020107-0002Full Moon Caught in Branches
Inheritance

From parents, a gift,
small cottage beside
shore of alluring lake,
where winter wends to an end.
Spring arises beneath snow
as bulbs surge from slumber.
Lake stays silent;
cover of ice stills surface.
Fishermen spend milder hours
near holes drilled into shell;
lazily lounging as dawn’s light
spreads its soft blush
across a blank canvas and
morning’s moon is caught,
in web of bare branches.
Birds twitter and tweet
fresh tunes to set territories;
serene season nears its conclusion.
Soon, ice will crack and moan;
teeth of wind-driven waves
will gnaw at its edges.
Mergansers will paddle between
floes, a respite on journey north.
Breezes will birth a constant murmur
where noisy gulls and silent falcons
will search for sustenance.
The cycle continues, handed down
to former and recent residents
from the native dwellers
who camped along these shores.

Infatuation

img-X01005929-0002(2)Tete-a-tete

Infatuation

On this harsh, blustery day
heart holds only spring.
Sun will not be halted
in its march to rule the hours.
Spirits lift up to the light;
we hear a new tune
trilled in morning’s twilight;
evening’s glimmer lingers
along horizon, competes
with the rising moon.
Storms do not defeat us;
their bellows have
a distant, hollow tone.
We are already infatuated
with the romance of spring;
like lovers in a trance,
no vagrancies of weather
will distract us from
the rapture of life’s renewal.

Lainie Senechal

Eagle Sleeps

img-X01010841-0001Ruler of the Wind

Eagle Sleeps

Low on horizon full moon sends

swirl of sparks along the waves.

An eagle sleeps in tall pine

digesting recent meal.

Light sifts softly through

dark green needles;

creates a rich landscape,

otherworldly and imaginative,

where new life forms could arise

and unexpected changes may occur.

Lainie Senechal

This poem was a winning entry in the Eagle Festival Poetry Contest, Joppa Flats Education Center, Newburyport, MA

Can We?

FernJanuary Morning

Can We?
Can we recover from
frequent tempests that
have stacked walls
of snow around us?
Scenery is solely white;
wind whips up a frenzy
of flakes that shroud
landscape in solemn coverlets;
secret our shrubs
under ghostly mounds
which haunt our daily lots.
Does the groundhog seek
his shadow? He is safely secure
in his underground domain.
Awake and weary, we await,
with deep trepidation,
the next storm.
Lainie Senechal
This poem was one( of two) featured entries the first week of February on the website hourofwrites.com. 
The judge, Nick Thorpe, wrote:   “My second honorable mention goes to “Can We”. I am a terrible, awful, borderline illegally bad poet, but I found this piece both haunting and moving. The style is reminiscent of a great orator, and I found the imagery powerful.”

 

Wind Speed

Moon Patiently WaitsMoon Patiently Waits

 

Wind Speed

Storm commences quietly
with flakes which twirl
like fleece of dandelion
in a vernal breeze.
Gusts suddenly swell;
snow begins to wheel,
eradicates view of lake;
white becomes singular scene.
Drifts mound their mantels
over every form, like furniture
shrouded in wait for relocation.
Flakes dissolve into streams
that seem to fly at speed of light.
Blizzard whips around corners;
a fuming fiend, howling ferociously.
Huddled in house, near hearth,
with hope the tempest
will soon subside.

Lainie Senechal

 

My Resolutions

Who's There!Who’s There!

My Resolutions

To gaze upward; stare
at ever shifting sky;
keep my head in clouds
as they fly across
each facet of the moon.

To never neglect nuances
of various seasons:
first snowdrop to
don its ivory bell;
song sparrow’s sweet trill
in morning’s twilight;
sun’s shimmer on summer sand;
sea’s warm, salty embrace;
a yellow leaf that lands blithely,
ragged calligraphy of cormorants
across autumn’s dome;
solitary flake silently drifting
in brittle air of a frigid night;
frolic of flames in hearth.
These matters I will regard.

To exist in the twinkling of time;
cease memory’s constant churning;
abandon tomorrow’s anxious hours;
be mindful each minute
of every golden hour.

 

This poem was chosen has the featured entry (1 of 2 chosen) in January 2015 on the website hourofwrites.com.  The judge, poet Mark Ward, says, “The standout line for me is ‘calligraphy of cormorants’ which is a wonderfully evocative image.  I also liked the use of alliteration throughout the poem.”

To M.H.

gramsPlace10th Anniversary

 

To M.H.
No longer do I play
tapes and discs made
when you plucked your guitar;
drank your whiskey.
No longer do I travel
to your tropical compound,
your artists’ Shangri-La
to paint in your gardens;
pen poems on your porch.
No longer do I take the bus
to Montreal, sun streaming in
to warm the winter day;
bathe us in a heavenly light
as we roll along the road.
No longer to I hang out
on Rue Sainte-Catherine;
wander directionless and droll
with light snow falling,
listening to Dylan, repeatedly,
sipping a large cup of cafe au lait.
The decision to cross the dark river
was yours alone.
The blues that haunted us
swept you away.
Your visits in dreams
are slowly dissolving;
at times, I long for your return;
a want which will never be fulfilled.
Lainie Senechal

From the Cold

img-Y20192623-0004Fairy Lights Galaxy

From the Cold

From the cold comes
solemn clouds whose
heavy burden is released;
snowflakes sneak in slowly
then whirl in wild winds,
swirling like a galaxy of stars.

From the cold comes
the great, white owls
of the North who sit
silently in marshes and fields;
their large yellow eyes
scan for rodents in barren lands.

From the cold comes
mornings as crisp as cookies
dipped into hot tea
as we sit by the fireside
waiting for the sun.

From the cold comes
days hard as ice
that now covers the lake;
stills the waves;
quiets the flotillas of ducks.

From the cold comes
fishermen who drill
through frozen surface;
wait patiently in frigid breeze
for a tug on their line.

From the cold comes
long nights near the hearth
in patient contemplation
of our particular place
in the omnipresent joy.

Lainie Senechal